From New York Streets to the World of Verdi: My Journey into Opera
Looking back at my musical journey, it’s funny how our tastes evolve. In the late 1980s, you could often find me at Lincoln Center or Carnegie Hall in New York City. Back then, I was a devotee of pure instrumental forms—moving from the intimate structures of the sonata and concerto to the grand scale of the symphony.
For a long time, I kept opera at a distance. But around 2009, something shifted.
The Spark: La Traviata
My entry point into the world of opera was Verdi’s La Traviata. At the same time, I was exploring Bizet’s Carmen, but it was Verdi who truly captured my soul. I remember the feeling vividly: "Oh! This is the opera!" It wasn't just music; it was an entirely new world of emotional depth and dramatic power.
Once that door opened, there was no going back. I moved on to the grandeur of Aida, the dark intensity of Macbeth, and eventually, I made my way to the Metropolitan Opera for the first time to see Donizetti’s La fille du régiment. Seeing a live production solidified everything—the "real opera play" is an experience like no other.
A Verdi Obsession
I became determined to experience as much of Verdi’s catalog as possible. My method was simple:
Watch and Listen: I started with DVDs and videos to get the visual and emotional context.
Study: I’d dive into articles to understand the intricate musical details and historical backgrounds.
On the Go: I filled my car journeys with digital MP3s from Amazon Music and Prime Video.
One often-overlooked beauty of Verdi’s work is the ballet sequences. In operas like Macbeth, I Vespri Siciliani, and Aida, the dance adds a layer of elegance and spectacle that is uniquely "Grand Opera." While I love the works of Rossini, Donizetti, Bellini, and Puccini, Verdi remains the heart of my collection.
Visit the Yookstore
Many of the DVDs and CDs that fueled my passion are available at
The Complete Operas of Giuseppe Verdi
For those looking to explore his legendary career, here is the full chronological list of Verdi's operatic works: Yook.net
| Year | Title |
| 1839 | Oberto, Conte di San Bonifacio |
| 1840 | Un giorno di regno |
| 1842 | Nabucco |
| 1843 | I Lombardi alla prima crociata |
| 1844 | Ernani |
| 1844 | I due Foscari |
| 1845 | Giovanna d'Arco |
| 1845 | Alzira |
| 1846 | Attila |
| 1847 | Macbeth (Revised 1865) |
| 1847 | I masnadieri |
| 1847 | Jérusalem (Revision of I Lombardi) |
| 1848 | Il corsaro |
| 1849 | La battaglia di Legnano |
| 1849 | Luisa Miller |
| 1850 | Stiffelio |
| 1851 | Rigoletto |
| 1853 | Il trovatore |
| 1853 | La traviata |
| 1855 | Les vêpres siciliennes (I vespri siciliani) |
| 1857 | Simon Boccanegra (Revised 1881) |
| 1857 | Aroldo (Revision of Stiffelio) |
| 1859 | Un ballo in maschera |
| 1862 | La forza del destino |
| 1867 | Don Carlos (Don Carlo) |
| 1871 | Aida |
| 1887 | Otello |
| 1893 | Falstaff |
Which Verdi opera was your first? Whether you are a seasoned fan or a newcomer, I hope you find the same "new music world" that I did back in 2009.



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